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Frances Mc Donald writes, “Textiles may have provided the narrative…..powerfully expressed through the language of glass…strong and fragile, as well as being a poignant reminder of the vulnerability of life...”The exhibition features exciting collaborations, a new film based on glass shoes and a large dress suspended from the ceiling, raining down droplets into the gallery.
Also featured in the exhibition is a slab of locally sourced black nero marquina marble cut and shaped to the proportions of a standard yoga mat, as well as a new series of still life drawings and a short video piece.
Solo shows include: 2016 , Abrons Arts Centre, New York.
Awards: 2015 Arts Council of Northern Ireland Artist’s Career Enhancement Scheme (ACES); 20 Arts Council of Northern Ireland Support for Individual Artist Award.
This rare opportunity to experience such a substantial body of Wilson’s work creates an opportunity to delve into the formal and conceptual concerns and the tension for his work to conform to having a fixed state.‘(A) Dress’ is a significant exhibition of new work by glass artist Alison Lowry and will be part of the August Craft Month programme of activities across Northern Ireland.
With a family history in lace-making and embroidery, Alison studied textiles, then developed her skills in glass making in a variety of techniques.
Inspired by her experiences of motherhood, Alison’s work captures small, but fleeting moments of life that are filled with memories, she says, “fabric preserves the essence of its maker; traces of the wearer become entwined with the warp and weft, allowing physical objects to become containers for memory.“ Glass allows her to replicate or capture an impression of cloth or clothing in a precise and immediate way.
The nature of the glass piece embodies the fragility of the very memory it captures.The raw materials, such as clay, kaolin sand, feldspar, quartz and other minerals, are taken from the ground.People have known this for thousands and thousands of years, and they have taken advantage of the special characteristics of ceramics as a material: that is, its persistence, loading capacity, waterproofness and chemical and bacterial [email protected] Banbridge uk Ceramics and its Dimensions is a project which examines European ceramics from the perspectives of the past as well as of the future, with its new possibilities. Ceramics and its Dimensions: Shaping the Future (Module 6) is one of the ten modules (sub-projects) of the project and led by Aalto University, School of Art, Design and Architecture, Department of Design, Helsinki, Finland.The project has partner institutions in eleven different countries in Europe and it is co-funded through the Creative Europe program of EU and coordinated by the Porzellanikon Staatliches Museum für Porzellan, Hohenberg a. The sub-project consists of a workshop, a touring exhibition and a publication.Accompanying the show will be a booklet featuring a newly commissioned essay written by Brussels based Irish curator, artist and historian Padraic E.